This resulted in a critically-acclaimed exhibition of the photographs Traffic Wardens (correctly termed Civil Enforcement Officers or CEOs) take as proof of parking contravention. O'Connell discovered that these images, of other people's poorly parked cars, could be accessed and downloaded from the local council's system. (Note: since the project, the system has been changed: art has an impact!) Interestingly, by default, embedded in the downloaded image files was information such as camera type, shutter speed, aperture and more, the kinds of data certain practitioners love to keep. In addition, due to lack of expertise as photographers, CEOs occasionally captured themselves in reflection in their own pictures. Lastly it was possible to manoeuvre into their pictures by shadowing the wardens and waiting for that 'decisive moment'. Three of the CEOs' photographs, night shots, were blown up to car size and a catalogue produced containing all the pics collected, along with the associated data. During the same period a looping film or 'simupoem', Boring, which used photographs captured during a nine-hour traffic jam, was produced. Contra-Invention
, was invited to Les Rencontres Internationales de la Photographie d’Arles, 2011
and later From Here On
at Arts Santa Mónica, Barcelona, was long-listed for the The Deutsche Börse Photography Foundation Prize and the catalogue had been listed on Martin Parr's best books, 2010.